Is it true that “The augmented fourth (A4) and the diminished fifth (d5) are the only aug and dim intervals that appear in diatonic scales” The 2019 Stack Overflow Developer Survey Results Are In Announcing the arrival of Valued Associate #679: Cesar Manara Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)How to differentiate between a diminished fifth and an augmented fourth interval?Are doubly augmented and doubly diminished intervals practical?Is there a term to describe an augmented second as a step or tone instead of an interval?How to correctly invert non-compound greater-than-octave intervals?Diminished and augmented scalesWhat's significant about diatonic scales? Are there equivalents to the diatonic scales in smaller divisions of the octave (e.g. 19-EDO, 31-EDO, etc.)?Blues Scale: F Sharp or G Flat?Is there such a thing as a diminished unison?Which are all the musical intervals that are valid?Term for distinguishing dim/perfect/aug intervals from dim/min/maj/aug ones
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Is it true that “The augmented fourth (A4) and the diminished fifth (d5) are the only aug and dim intervals that appear in diatonic scales”
The 2019 Stack Overflow Developer Survey Results Are In
Announcing the arrival of Valued Associate #679: Cesar Manara
Planned maintenance scheduled April 17/18, 2019 at 00:00UTC (8:00pm US/Eastern)How to differentiate between a diminished fifth and an augmented fourth interval?Are doubly augmented and doubly diminished intervals practical?Is there a term to describe an augmented second as a step or tone instead of an interval?How to correctly invert non-compound greater-than-octave intervals?Diminished and augmented scalesWhat's significant about diatonic scales? Are there equivalents to the diatonic scales in smaller divisions of the octave (e.g. 19-EDO, 31-EDO, etc.)?Blues Scale: F Sharp or G Flat?Is there such a thing as a diminished unison?Which are all the musical intervals that are valid?Term for distinguishing dim/perfect/aug intervals from dim/min/maj/aug ones
According to a source that I found, A4 & d5 are 2 types of tritones, and there are 1 or 2 tritones in a diatonic scale, depending on the definition. I cannot see how A4 and d5 are the only 2 augmented and diminished intervals in a diatonic scale.
Please correct me if I am wrong.
theory scales intervals
edited Apr 9 at 3:04
AduyummY
11412
asked Apr 8 at 5:32
stupr instupr in
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According to a source that I found, A4 & d5 are 2 types of tritones, and there are 1 or 2 tritones in a diatonic scale, depending on the definition. I cannot see how A4 and d5 are the only 2 augmented and diminished intervals in a diatonic scale.
Please correct me if I am wrong.
theory scales intervals
edited Apr 9 at 3:04
AduyummY
11412
asked Apr 8 at 5:32
stupr instupr in
394
New contributor
stupr in is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
3
"i don't think so. please correct me if i am wrong." -- maybe you should expand on this to clarify your question.
– David Bowling
Apr 8 at 5:37
Source of the quote: en.wikipedia.org/wiki/Interval_(music)#Augmented_and_diminished
– replete
Apr 8 at 5:45
add a comment |
According to a source that I found, A4 & d5 are 2 types of tritones, and there are 1 or 2 tritones in a diatonic scale, depending on the definition. I cannot see how A4 and d5 are the only 2 augmented and diminished intervals in a diatonic scale.
Please correct me if I am wrong.
theory scales intervals
edited Apr 9 at 3:04
AduyummY
11412
asked Apr 8 at 5:32
stupr instupr in
394
New contributor
stupr in is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
According to a source that I found, A4 & d5 are 2 types of tritones, and there are 1 or 2 tritones in a diatonic scale, depending on the definition. I cannot see how A4 and d5 are the only 2 augmented and diminished intervals in a diatonic scale.
Please correct me if I am wrong.
theory scales intervals
theory scales intervals
edited Apr 9 at 3:04
AduyummY
11412
asked Apr 8 at 5:32
stupr instupr in
394
New contributor
stupr in is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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edited Apr 9 at 3:04
AduyummY
11412
asked Apr 8 at 5:32
stupr instupr in
394
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stupr in is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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edited Apr 9 at 3:04
AduyummY
11412
edited Apr 9 at 3:04
AduyummY
11412
edited Apr 9 at 3:04
AduyummY
11412
11412
asked Apr 8 at 5:32
stupr instupr in
394
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stupr in is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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asked Apr 8 at 5:32
stupr instupr in
394
asked Apr 8 at 5:32
stupr instupr in
394
394
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stupr in is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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New contributor
stupr in is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
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Check out our Code of Conduct.
3
"i don't think so. please correct me if i am wrong." -- maybe you should expand on this to clarify your question.
– David Bowling
Apr 8 at 5:37
Source of the quote: en.wikipedia.org/wiki/Interval_(music)#Augmented_and_diminished
– replete
Apr 8 at 5:45
add a comment |
3
"i don't think so. please correct me if i am wrong." -- maybe you should expand on this to clarify your question.
– David Bowling
Apr 8 at 5:37
Source of the quote: en.wikipedia.org/wiki/Interval_(music)#Augmented_and_diminished
– replete
Apr 8 at 5:45
3
3
"i don't think so. please correct me if i am wrong." -- maybe you should expand on this to clarify your question.
– David Bowling
Apr 8 at 5:37
"i don't think so. please correct me if i am wrong." -- maybe you should expand on this to clarify your question.
– David Bowling
Apr 8 at 5:37
Source of the quote: en.wikipedia.org/wiki/Interval_(music)#Augmented_and_diminished
– replete
Apr 8 at 5:45
Source of the quote: en.wikipedia.org/wiki/Interval_(music)#Augmented_and_diminished
– replete
Apr 8 at 5:45
add a comment |
1 Answer
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I don't know your source, but the term "diatonic scale" typically refers to the major scale and its rotations (i.e., the modes). As such, we can test this claim just by looking at the intervals of a major scale.
- All seconds within in the scale are either minor (E–F and B–C) or major (C–D, D–E, F–G, G–A, A–B).
- All thirds are either minor (D–F, E–G, A–C, B–D) or major (C–E, F–A, G–B).
- All fourths are either perfect (C–F, D–G, E–A, G–C, A–D, B–E), or augmented (F–B). There's one augmented interval!
And conveniently, we don't have to do the rest of the work. Due to intervallic inversion, we know that seconds invert to sevenths, thirds to sixths, and fourths to fifths. Furthermore, we know that the qualities invert in particular ways, and only diminished/augmented intervals invert to each other.
As such, the only diminished/augmented intervals of a fifth, sixth, or seventh is the diminished fifth.
So yes, in fact, your source is correct: the only augmented/diminished interval that appears in the diatonic scale is the tritone.
You may be thinking of the augmented second (and its inversion, the diminished seventh) that is included in the harmonic minor scale. But this scale is not usually considered a "diatonic scale" since it requires a chromatic pitch: the raised leading tone.
Or, you may be thinking of enharmonically spelled intervals. C to E is a diminished fourth if E is spelled as F♭. But if you're suddenly using F♭, you're no longer using just the notes of the diatonic scale. Even though F♭ is enharmonic to E, they are distinct pitches, and so using that pitch violates the premise of the original question. It's the same as the augmented seventh between C and B♯. Since B♯ isn't in the diatonic scale, we must think of this interval as C to C, which is a perfect octave.
answered Apr 8 at 5:40
RichardRichard
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I don't know your source, but the term "diatonic scale" typically refers to the major scale and its rotations (i.e., the modes). As such, we can test this claim just by looking at the intervals of a major scale.
- All seconds within in the scale are either minor (E–F and B–C) or major (C–D, D–E, F–G, G–A, A–B).
- All thirds are either minor (D–F, E–G, A–C, B–D) or major (C–E, F–A, G–B).
- All fourths are either perfect (C–F, D–G, E–A, G–C, A–D, B–E), or augmented (F–B). There's one augmented interval!
And conveniently, we don't have to do the rest of the work. Due to intervallic inversion, we know that seconds invert to sevenths, thirds to sixths, and fourths to fifths. Furthermore, we know that the qualities invert in particular ways, and only diminished/augmented intervals invert to each other.
As such, the only diminished/augmented intervals of a fifth, sixth, or seventh is the diminished fifth.
So yes, in fact, your source is correct: the only augmented/diminished interval that appears in the diatonic scale is the tritone.
You may be thinking of the augmented second (and its inversion, the diminished seventh) that is included in the harmonic minor scale. But this scale is not usually considered a "diatonic scale" since it requires a chromatic pitch: the raised leading tone.
Or, you may be thinking of enharmonically spelled intervals. C to E is a diminished fourth if E is spelled as F♭. But if you're suddenly using F♭, you're no longer using just the notes of the diatonic scale. Even though F♭ is enharmonic to E, they are distinct pitches, and so using that pitch violates the premise of the original question. It's the same as the augmented seventh between C and B♯. Since B♯ isn't in the diatonic scale, we must think of this interval as C to C, which is a perfect octave.
answered Apr 8 at 5:40
RichardRichard
45.6k7108196
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Apr 8 at 13:24
add a comment |
I don't know your source, but the term "diatonic scale" typically refers to the major scale and its rotations (i.e., the modes). As such, we can test this claim just by looking at the intervals of a major scale.
- All seconds within in the scale are either minor (E–F and B–C) or major (C–D, D–E, F–G, G–A, A–B).
- All thirds are either minor (D–F, E–G, A–C, B–D) or major (C–E, F–A, G–B).
- All fourths are either perfect (C–F, D–G, E–A, G–C, A–D, B–E), or augmented (F–B). There's one augmented interval!
And conveniently, we don't have to do the rest of the work. Due to intervallic inversion, we know that seconds invert to sevenths, thirds to sixths, and fourths to fifths. Furthermore, we know that the qualities invert in particular ways, and only diminished/augmented intervals invert to each other.
As such, the only diminished/augmented intervals of a fifth, sixth, or seventh is the diminished fifth.
So yes, in fact, your source is correct: the only augmented/diminished interval that appears in the diatonic scale is the tritone.
You may be thinking of the augmented second (and its inversion, the diminished seventh) that is included in the harmonic minor scale. But this scale is not usually considered a "diatonic scale" since it requires a chromatic pitch: the raised leading tone.
Or, you may be thinking of enharmonically spelled intervals. C to E is a diminished fourth if E is spelled as F♭. But if you're suddenly using F♭, you're no longer using just the notes of the diatonic scale. Even though F♭ is enharmonic to E, they are distinct pitches, and so using that pitch violates the premise of the original question. It's the same as the augmented seventh between C and B♯. Since B♯ isn't in the diatonic scale, we must think of this interval as C to C, which is a perfect octave.
answered Apr 8 at 5:40
RichardRichard
45.6k7108196
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Apr 8 at 13:24
add a comment |
I don't know your source, but the term "diatonic scale" typically refers to the major scale and its rotations (i.e., the modes). As such, we can test this claim just by looking at the intervals of a major scale.
- All seconds within in the scale are either minor (E–F and B–C) or major (C–D, D–E, F–G, G–A, A–B).
- All thirds are either minor (D–F, E–G, A–C, B–D) or major (C–E, F–A, G–B).
- All fourths are either perfect (C–F, D–G, E–A, G–C, A–D, B–E), or augmented (F–B). There's one augmented interval!
And conveniently, we don't have to do the rest of the work. Due to intervallic inversion, we know that seconds invert to sevenths, thirds to sixths, and fourths to fifths. Furthermore, we know that the qualities invert in particular ways, and only diminished/augmented intervals invert to each other.
As such, the only diminished/augmented intervals of a fifth, sixth, or seventh is the diminished fifth.
So yes, in fact, your source is correct: the only augmented/diminished interval that appears in the diatonic scale is the tritone.
You may be thinking of the augmented second (and its inversion, the diminished seventh) that is included in the harmonic minor scale. But this scale is not usually considered a "diatonic scale" since it requires a chromatic pitch: the raised leading tone.
Or, you may be thinking of enharmonically spelled intervals. C to E is a diminished fourth if E is spelled as F♭. But if you're suddenly using F♭, you're no longer using just the notes of the diatonic scale. Even though F♭ is enharmonic to E, they are distinct pitches, and so using that pitch violates the premise of the original question. It's the same as the augmented seventh between C and B♯. Since B♯ isn't in the diatonic scale, we must think of this interval as C to C, which is a perfect octave.
answered Apr 8 at 5:40
RichardRichard
45.6k7108196
I don't know your source, but the term "diatonic scale" typically refers to the major scale and its rotations (i.e., the modes). As such, we can test this claim just by looking at the intervals of a major scale.
- All seconds within in the scale are either minor (E–F and B–C) or major (C–D, D–E, F–G, G–A, A–B).
- All thirds are either minor (D–F, E–G, A–C, B–D) or major (C–E, F–A, G–B).
- All fourths are either perfect (C–F, D–G, E–A, G–C, A–D, B–E), or augmented (F–B). There's one augmented interval!
And conveniently, we don't have to do the rest of the work. Due to intervallic inversion, we know that seconds invert to sevenths, thirds to sixths, and fourths to fifths. Furthermore, we know that the qualities invert in particular ways, and only diminished/augmented intervals invert to each other.
As such, the only diminished/augmented intervals of a fifth, sixth, or seventh is the diminished fifth.
So yes, in fact, your source is correct: the only augmented/diminished interval that appears in the diatonic scale is the tritone.
You may be thinking of the augmented second (and its inversion, the diminished seventh) that is included in the harmonic minor scale. But this scale is not usually considered a "diatonic scale" since it requires a chromatic pitch: the raised leading tone.
Or, you may be thinking of enharmonically spelled intervals. C to E is a diminished fourth if E is spelled as F♭. But if you're suddenly using F♭, you're no longer using just the notes of the diatonic scale. Even though F♭ is enharmonic to E, they are distinct pitches, and so using that pitch violates the premise of the original question. It's the same as the augmented seventh between C and B♯. Since B♯ isn't in the diatonic scale, we must think of this interval as C to C, which is a perfect octave.
answered Apr 8 at 5:40
RichardRichard
45.6k7108196
edited Apr 8 at 9:51
answered Apr 8 at 5:40
RichardRichard
45.6k7108196
answered Apr 8 at 5:40
RichardRichard
45.6k7108196
answered Apr 8 at 5:40
RichardRichard
45.6k7108196
45.6k7108196
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Apr 8 at 13:24
add a comment |
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Apr 8 at 13:24
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Apr 8 at 13:24
Comments are not for extended discussion; this conversation has been moved to chat.
– Doktor Mayhem♦
Apr 8 at 13:24
add a comment |
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3
"i don't think so. please correct me if i am wrong." -- maybe you should expand on this to clarify your question.
– David Bowling
Apr 8 at 5:37
Source of the quote: en.wikipedia.org/wiki/Interval_(music)#Augmented_and_diminished
– replete
Apr 8 at 5:45